Eyes on the prize, Melissa. Eyes on the goddamn prize.
What's the prize? The Hannah Callowhill Stage, with two apartments on top, one to live in and one to rent out, making this whole crazy theater venture financially viable.
What's in the way? A sum of money that doesn't seem all that astronomical if you live in Sydney or San Francisco, or if you earn maybe twice as much as we do, or if you're not in the arts. But to us, it's staggering. And it's money on top of what we paid for the property already.
Most of our "progress" in the eight months since my last significant Hannah update has involved talking to contractors. The general pattern in our interactions with contractors seems to be:
After months of this dance, however, we may have made a breakthrough this week. I don't want to jinx anything, but we believe we have found a contractor that is a fit for this project. He's competent and knowledgeable (having seen some of the cheap hackwork already in the building, I have no desire to go down that route, especially given the structural elements), and unlike a few of the contractors I've met, he looks me in the eyes when talking to me (as opposed to speaking exclusively to Matt, HEY MEN, DON'T DO THIS—WE NOTICE), and is willing to work with me as someone who can DIY some of the work, especially when it comes to finishing. Many contractors, understandably, are loath to let commissioning clients perform work or have too much input on their own project. It's the same in a lot of industries. You've seen variations on this, right?
But in this situation, (a) I swear, I am pretty good and pretty game at this construction stuff, and (b) we don't have a lot of choice because of financial constraints. I know, those are probably the same justifications and excuses every client uses in this situation. But this contractor believes me, and I think we're going to get on. (As an aside, I am thinking of taking the ICC National General Building Contractor exam—just for shits, since it's not necessary for any certification in Pennsylvania or Philadelphia. I have a copy of the latest International Building Code, which I know my way around reasonably well, taking the exam forces me to bone up, and the knowledge might afford me at least a small amount of cred when working and talking with people in the industry.)
So onto the next hurdle, and it's a big one. Acquiring the money.
In the throng of the Weblinc Christmas party last year, one of Matt's bosses introduced me to a man and told me to explain the Hannah to him. I had no idea who this under-dressed stranger was or what he did (I assumed he was in construction), but I drunkenly did as I was told. The next week, he gave me a call; as it turns out, he's a banker, and he has contacts in the financing industry who can help us get a construction loan in what might be the worst possible time so far this century for non-ultra-rich people like us to qualify for a construction loan. (He also connected us to our contractor, so top marks for this guy.) I filled out a stack of forms in January, marking the third time we have filled out a financing application related to this property. I have become depressingly accustomed to this grind.
There's an uncomfortable chicken-and-egg conundrum when it comes to construction loans. Contractors want to know how much money you can borrow so they can tailor their budget accordingly. Banks want to know what the contractors have budgeted so they can tailor their loan and draw amounts accordingly. It's a stressful dance to figure out how to get everyone on the same page at the same time without having a nervous breakdown looking at the number of zeroes in the rapidly skyrocketing totals. At some point, we hit a ceiling where we realized that the amount we qualify to borrow will be significantly less than the amount of the construction.
And so, we had to make a decision. Do we go all-in?
All-in means that there is a good chance that following this through to completion will zero us out. We'd be betting everything we have on red. We'd be putting all our eggs and chickens in the same handbasket and hoping it's not going to hell. No savings, no investments, no retirement—everything into the Hannah. And more than that, we'd be going into debt, because we still need the construction loan (assuming and hoping like hell we are approved for the amount we asked for this week).
PROS:
Please open. Please.
Meanwhile, I'll just keep my eyes on the prize. And work on my opera. I'll be way better at this hands-on construction business if that's out of the way.
What's the prize? The Hannah Callowhill Stage, with two apartments on top, one to live in and one to rent out, making this whole crazy theater venture financially viable.
Most of our "progress" in the eight months since my last significant Hannah update has involved talking to contractors. The general pattern in our interactions with contractors seems to be:
- We meet a contractor. They seem nice enough.
- The contractor decides if they are interested in or able to do the project. Most contractors are either too big (too busy, or our project will not net them enough profit) or too small (cannot handle structural steel and/or foundation underpinning that the plans require).
- If they are interested, the contractor will informally say that they think they can complete this project within our budget, because it really does seem reasonable, but they will need to look into pricing in more detail before giving a thorough estimate that we can use for financing purposes.
- The contractor spends a few weeks going over the plans and itemizing their costs, and eventually realizes that this project is going to cost way more than we all thought at first glance.
- Matt and I get very disheartened, and I probably cry a little in private.
After months of this dance, however, we may have made a breakthrough this week. I don't want to jinx anything, but we believe we have found a contractor that is a fit for this project. He's competent and knowledgeable (having seen some of the cheap hackwork already in the building, I have no desire to go down that route, especially given the structural elements), and unlike a few of the contractors I've met, he looks me in the eyes when talking to me (as opposed to speaking exclusively to Matt, HEY MEN, DON'T DO THIS—WE NOTICE), and is willing to work with me as someone who can DIY some of the work, especially when it comes to finishing. Many contractors, understandably, are loath to let commissioning clients perform work or have too much input on their own project. It's the same in a lot of industries. You've seen variations on this, right?
But in this situation, (a) I swear, I am pretty good and pretty game at this construction stuff, and (b) we don't have a lot of choice because of financial constraints. I know, those are probably the same justifications and excuses every client uses in this situation. But this contractor believes me, and I think we're going to get on. (As an aside, I am thinking of taking the ICC National General Building Contractor exam—just for shits, since it's not necessary for any certification in Pennsylvania or Philadelphia. I have a copy of the latest International Building Code, which I know my way around reasonably well, taking the exam forces me to bone up, and the knowledge might afford me at least a small amount of cred when working and talking with people in the industry.)
So onto the next hurdle, and it's a big one. Acquiring the money.
In the throng of the Weblinc Christmas party last year, one of Matt's bosses introduced me to a man and told me to explain the Hannah to him. I had no idea who this under-dressed stranger was or what he did (I assumed he was in construction), but I drunkenly did as I was told. The next week, he gave me a call; as it turns out, he's a banker, and he has contacts in the financing industry who can help us get a construction loan in what might be the worst possible time so far this century for non-ultra-rich people like us to qualify for a construction loan. (He also connected us to our contractor, so top marks for this guy.) I filled out a stack of forms in January, marking the third time we have filled out a financing application related to this property. I have become depressingly accustomed to this grind.
There's an uncomfortable chicken-and-egg conundrum when it comes to construction loans. Contractors want to know how much money you can borrow so they can tailor their budget accordingly. Banks want to know what the contractors have budgeted so they can tailor their loan and draw amounts accordingly. It's a stressful dance to figure out how to get everyone on the same page at the same time without having a nervous breakdown looking at the number of zeroes in the rapidly skyrocketing totals. At some point, we hit a ceiling where we realized that the amount we qualify to borrow will be significantly less than the amount of the construction.
And so, we had to make a decision. Do we go all-in?
All-in means that there is a good chance that following this through to completion will zero us out. We'd be betting everything we have on red. We'd be putting all our eggs and chickens in the same handbasket and hoping it's not going to hell. No savings, no investments, no retirement—everything into the Hannah. And more than that, we'd be going into debt, because we still need the construction loan (assuming and hoping like hell we are approved for the amount we asked for this week).
PROS:
- When this property is complete, there is a good chance it's going to be valued in the $1 million range, based on current property prices in the area. That's far more than the total cost of the purchase + construction, so if everything goes well, it's an excellent investment. (Also, we'll qualify for the 10-year property tax abatement, so at least we'll have a decade to figure out how to turn a profit before taxes on a million-dollar property kick in.)
- We're in our mid-30's. We are extraordinarily blessed (#blessed) to have investments and retirement funds and cash. To be honest, many of our friends are not in this position. Even if our bet fails, we still have time to start from scratch and be OK by retirement. Also, we don't have children, which gives us some leeway in taking a risk like this.
- We're following an entrepreneurial dream, which I believe is a far more worthwhile pursuit than playing it safe by amassing cash. What is the point of hoarding cash if you aren't doing what you want to do when you're still young enough to do it?
- This goes against every piece of advice I've ever been given about money and risk in my entire goddamn life.
- What if President Trump invades Russia and tanks the world economy, and global warming becomes so pronounced that the tidal Delaware River bursts its banks and completely floods out the neighborhood? I mean, we'll all be fucked in that scenario, but I feel like I will be extra bitter about it if I threw every drop of my liquid assets into building a beautiful theater home on a riverbank.
Please open. Please.
Meanwhile, I'll just keep my eyes on the prize. And work on my opera. I'll be way better at this hands-on construction business if that's out of the way.
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