Monday, October 17, 2011

Karlheinz Stockhausen and David Icke, sitting in a tree ...

A few moments ago, I was mining a 1977 interview with Stockhausen for quotes and insights to include in a horrible paper I'm writing on Mantra that is already late because I am allergic to writing it. Anyway, I tweeted:

Hahaha, right? then, OH HOLY SHIT, this on the last page of the interview:
The spirit of [my latest work Sirius] is that it is music from Sirius, which is transposed on this planet and [reveals] the possibilities of this planet, because I think that the culture of this planet has been mainly formed by visitors from Sirius, especially in the time between 9000 and 6000 B.C., [as have] most of our modern concepts of cultural achievements, as far as these are still available, because, as you know, an enormous amount has been burned in the library of Alexandria, where all the secret knowledge of architecture, of mathematics, of astronomy and of the arts, and of the magnetism of the earth, of ecology, etc., has been destroyed voluntarily by the Christian orthodox administration. But I think that our main sources of present-day culture, as decadent as it may be in most parts of the planet, stem from visitors from Sirius whose main representatives (leaders) were Isis and Osiris. Through a series of revelations which were at first quite nebulous, but have become more clear during the past few years, I know (as little as I know about details) that I have come from Sirius, myself. And I know that the highest kind of language that can exist for this highly developed culture is music. As long as we're inclinated toward the bodies and possibilities of the body of this planet Earth, then everything from Sirius appears as music. It is structured in a direct harmony with the forming principles of the universe, of the rotations, of the seasons, of different aspects of youth, man, woman, the friend, of the elements earth, fire, water, air, of states of growth, etc. All of these characteristics stem basically, and have been made conscious, from this culture, and there are many other planets which have been influenced by these universal principles, which are communicated best through sound in music that is the best and most universal way.
KARLHEINZ STOCKHAUSEN IS AN ALIEN, YOU GUYS.

WHY AM I WRITING THIS PAPER.

Wednesday, August 10, 2011

From the Vault episode 1

I keep finding things in my filing cabinet that I feel are worth posting for their sentimental value. Today I present: In 1994, as you can see from this meticulously designed poster, legendary jazz musician Don Burrows participated in a residency at my high school. Of course, the school went completely nuts over it. Don Burrows this, Don Burrows that, you must all learn to behave like angels because Don Burrows is coming, Don Burrows deserves the utmost reverence so be prepared to genuflect at all times -- and there were these "DON BURROWS: THE MAN AND HIS MUSIC" posters all over the school. There is a curiously Australian quirk: for every hype, there is an equal and opposite anti-hype. It's at least partly related to tall poppy syndrome. Anyway, because I was sick of the hype, as a bit of a lark, I took one of the posters and did the above to it, photocopied it (I only had a purple pen), and posted it back on the noticeboard from whence it came. Silly me. Somehow the administration found out it was me, and I got in enormous trouble. Called to the principal's office and made to repent. I think I had to give some kind of formal apology. I still think it was funny. Don Burrows, incidentally, turned out to be a really awesome dude, hilariously irreverent, good-natured, and of course, a musical god.